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The ReGen Village also promotes community involvement and social cohesion by providing shared spaces for recreation, learning, and cultural activities. His cowboy motifs influenced numerous details throughout the house, from the family room’s hand-stenciled cabinetry and ceiling beams to the whipstitching on the sconce shades and the moccasin-like embroidery on a pair of armchairs. The master bed has a headboard in a Clarence House mohair and is topped with pillows in fabrics from Schumacher and Pierre Frey.

In the Studio: Wylie Gelber
The walls are in Navajo White and the ceiling is in Bridgewater Tan, both by Benjamin Moore; the F. Grayson Sayre landscape over the mantel is in a frame by Arts and Crafts ceramics. The studio values the strength of the collective mind, believing that authentic creativity and innovation come from collaboration.

Commune: Designed in California
At the time designers Roman Alonso and Steven Johanknecht arrived in Los Angeles—in 1998 and 2002, respectively—the city was still a relatively sleepy industry town, however high-profile its industry. This was before a host of major New York and European art galleries rushed to open L.A. Outposts; before elite fashion brands started cooking up reasons to head west for splashy parties in hip warehouses; and before a cavalcade of international starchitects on the order of Renzo Piano, Peter Zumthor, and Herzog & de Meuron rolled into town. The Roam Co-Living is a network of co-living spaces situated in cities around the world.
Barn-like house
Commune to Design Ace Hotel Kyoto, Bed Bath & Beyond Names New CEO, and More News This Week - Architectural Digest
Commune to Design Ace Hotel Kyoto, Bed Bath & Beyond Names New CEO, and More News This Week.
Posted: Fri, 11 Oct 2019 07:00:00 GMT [source]
Communal living emphasized cooperation, creativity, and collaboration. But as the decades passed, communes became less popular, and many of them dissolved due to internal conflicts or external pressures. However, the ethos of communal living never disappeared entirely, and today we witness a resurgence of interest in collaborative living spaces. The California look is a design style that is characterized by a mix of rustic and modern elements, natural materials, warm colors, and light-filled spaces that create a relaxed, indoor-outdoor feel.
AD PRO caught up with Commune’s Roman Alonso to hear about the project’s backstory and inspiration. The decorative party, however, is not reserved exclusively for denizens of California. “We wanted to explore the connection between West Marin and Scandinavian summer homes, another one of our obsessions,” Alonso says. A select number of pieces that fall outside the Scandi/Cali range—bulbous light fixtures by Gino Sarfatti, an antique Tiffany Studios pendant lamp, wallpaper by British designer Marthe Armitage—pepper the playful mix.
Commune Design Gives Breadblok Bakery a Permanent Home in Santa Monica
Renovation of a ten acre vacation compound in Northern California, including a main house, originally built in the 1930s, two tents and two cabins. The goal was to enhance the interiors with handcrafted millwork and furniture pieces by local artisans, as well as a large selection of objects and furnishings, ultimately creating an elevated camping experience for a family of six. If the market’s latest debuts have any lesson to tell, it’s that the design community indeed works better together. From Philippe Starck’s subtropical-inspired outdoor furnishings for Janus et Cie to Supergroup’s rotund tableware for Hem, industry brands across categories are coming together to bring thoughtful new offerings to designers’ tool kits. “We designed the brass boxes on the ceiling with lighting designer Sean O’Connor,” says Roman and Steven.
Our clients are so engaged and part of the process, they’re able to grow into the design seamlessly. Commune Design, founded by partners Roman Alonso and Steven Johanknecht have devised its own definition of California cool. The two, who first met in the early ’90s while working at Barneys New York, ventured out on their own—and out West—in 2004, and bohemian chic has been the name of the game ever since. From interiors to product design, each of their projects reflects an unfussy, rustic charm that remains timeless.
Ideas to update and improve your outdoor space with hardscaping elements. Commune’s design ultimately walks the line between traditional and modern with aplomb, satisfying the predilections of clients whose tastes tend to hew in different directions. Ingrid Abramovitch, the Executive Editor at ELLE Decor, writes about design, architecture, renovation, and lifestyle, and is the author of several books on design including Restoring a House in the City. She chose the raspberry upholstery on the living room’s armchairs and the striking turquoise hue of the floor tiles in the master bath, which were inspired by the color of a piece of Bauer pottery she picked up at a flea market.
Shops, hotels, restaurants and points of interest for the home and garden obsessed on the go. When you register as a free Member of the Remodelista family of websites (Remodelista, Gardenista, and The Organized Home), you gain access to all current posts plus 10 archived posts per month, our internal bookmarking tool, and the community bulletin board. SOURCEBOOK FOR THE CONSIDERED HOMEThe one-stop sourcebook for the considered home, guiding readers artfully through the remodeling and design process.
Sustainability is a key principle of communal living, and communal living spaces should reflect this by using environmentally friendly materials, renewable energy sources, and sustainable practices. Communal living spaces should also promote sustainable behaviors among community members, such as composting, recycling, and reducing waste. Communal living spaces should be designed to accommodate people with diverse physical abilities. However, accessibility should also extend to cognitive, sensory, and emotional needs, such as noise reduction, natural light, and spaces for contemplation or meditation. Commune design is about creating environments that facilitate human connections, foster creativity, and promote sustainable living.
The family room’s sofa in an Edelman leather and armchairs in a Kravet stripe are by Ralph Lauren Home. Rudin, the custom walnut cocktail table is by Commune Design, the sconces are by Paul Ferrante, the custom rug is by Amadi Carpets, and the Roman shades on the original leaded windows are in a Colefax and Fowler fabric. The Thomas C. Molesworth–inspired motifs on the ceiling beams and custom cabinetry were painted by artist Nic Valle, the ceiling is sheathed in a Ralph Lauren Home grass cloth, and the cowboy ink drawings are by Edward Borein. Some key elements of Commune Design's approach to the California look include using natural and sustainable materials, creating a connection between indoor and outdoor spaces, and incorporating vintage and handmade pieces for a personal touch.
It’s tempting to imagine a Lucy-and-Ethel-style sitcom scenario, with the two designers screaming at each other across the courtyard from their high perches in the twin towers while hanging laundry on a clothesline. The principals’ personal and professional lives have crisscrossed in intricate ways for decades, from the time the two initially met while working at Barneys New York, during the glory days of the luxury retail emporium, in the late 1980s and early ’90s. Their apartments tell the story of their remarkably fertile relationship through artifacts of their past and current projects, design details lifted from the Commune lexicon, and an array of artworks and curiosities with backstories specific to one designer or the other. Communal living spaces should be designed with the community in mind. This means that spaces are configured to maximize interaction and collaboration, while also respecting the need for privacy and personal space.
Crafted in earthy hues of moss, mauve, copper, and chocolate brown, the floor covering range includes the fringed Wilcox and Harper, characterized by its subtly raised and two-toned grid pattern. Colonial Williamsburg, in Virginia, transports visitors back to 18th-century America, and the living history museum’s Williamsburg branded products serve as an extended history lesson. Schumacher & Co. produced Williamsburg licensed fabrics, and a dozen years later the design house is back at it with Homecoming, an expansive assemblage of fabrics, wallcoverings, trims, and pillows that pay homage to the past. The updated florals, stripes, checks, and scallops include the pineapple-emblazoned Lafayette Botanical, derived from an 18th-century French chintz, as well as the Dandridge Damask, developed from the fragment of a gown once worn by Martha Washington.
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